FUJIFILM Corporation are proud to announce the FUJIFILM X-Pro1, an all-new interchangeable lens camera system. The X-Pro1 features a 16 megapixel APS-C X-Trans CMOS sensor, a brand new X lens mount, Hybrid Multi Viewfinder and three prime lenses.
FUJIFILM have developed a new CMOS sensor called the X-Trans CMOS. The X-Trans CMOS sensor is capable of delivering resolution that is parallel, if not superior, to a full frame sensor.
The new colour filter array paves the way for an ideal sensor that does not need an optical low-pass filter. While the optical low-pass filter is indispensable for the reduction of moiré and false colour generated by conventional sensors, it also degrades resolution. FUJIFILM has developed a new colour filter array that is inspired by the random arrangement of fine film grain, removing the need for an optical low-pass filter to solve moiré and false colour issues. In the array, RGB pixels are arranged in 6x6 pixel sets with high aperiodicity. Increasing the degree of randomness eliminates the fundamental cause of moiré and false colours – a problem that occurs in conventional arrays when shooting stripes and other repeating patterns. The presence of an R, G and B pixel in every vertical and horizontal pixel series minimises the generation of false colours and delivers higher colour reproduction.
As a result of using a film-inspired array, a more powerful processor is required to process the image signal data. So FUJIFILM have created the EXR Processor Pro. This development will maximise the full potential of the X-Trans CMOS sensor and deliver high speed and high precision image processing.
Specifically designed to maximise the mirror less design of the body the X-Mount has a short flange back distance of just 17.7mm. This means the rear lens elements are as close as possible to the sensor. The wide opening allows the lens to be mounted deeper within the body – up to 7.5mm (approx) from the mount surface – reducing the back focus distance of each lens to the minimum possible, thus achieving high resolution all the way to the edge of the image
FUJIFILM's revolutionary Hybrid Viewfinder first appeared in the X100. With its ability to instantly switch between an Optical Viewfinder and Electronic Viewfinder the Hybrid Viewfinder has added a new dimension to the pleasure of composing photographs. For the brightest viewing image, and to keep shutter lag to a minimum, users should choose the Optical Viewfinder. Those wanting focus confirmation, exposure information, white balance information and depth of field indicators should switch to Electronic Viewfinder.
The Electronic Viewfinder provides an excellent "Live View" of your composition. This fusion of technologies allows users to enjoy composing their images through a bright viewfinder, but has the option to overlay vital picture taking information should this be required.
Changing between the two viewfinders is simple, thanks to the switch on the front of the X-Pro1 body. When attaching a FUJINON XF-series lens on X-Pro1, both the viewfinder magnification and bright frame size automatically switch to support the lens focal length. Viewfinder magnification switches to 0.37x for the 18mm lens, and to 0.60x when the 35mm or 60mm lens is mounted, letting you compose your shot with the bright, crystal clarity of an optical image. The X-Pro1 also gives you the freedom to manually set a focal distance and switch between viewfinder magnifications.
The top and base are made from die-cast aluminium alloy which, combined with high quality touches like precise engraving on the top-plate and hand-enamelled lettering on the lenses, underlines the fact that the entire X-Pro1 system is built without compromise.
This eye for detail extends to the shutter speed dial and exposure compensation control that is precision milled from solid metal. Details like the shutter speed dial lock mechanism and the recessed exposure compensation dial are designed to prevent accidental movement of settings. The knurled finish on the sides of the dials feature rows of minutely milled squared pyramids for superb grip and confidence.
"Made in Japan" confirms that every part of the construction has had to meet FUJIFILM's highest standards. The lightweight, precision-milled lens hood (included with the lens) has been exclusively designed and machined from aluminium for the FUJINON XF lens. Its compact size delivers superb light shading performance in a design that perfectly matches X-Pro1 styling.
The X-Pro1's leather-like finish designed for a quality look and durability. The synthetic leather offers resistance to the elements and high durability, while an original manufacturing process produces a texture with the look and feel of authentic leather.
The X-Pro1 has been designed with the photographer's comfort in mind. The natural fit of the eyepiece provides excellent shielding from light leakage. A dioptric adjustment lens can also be attached.
In film cameras, multiple exposures is the unique photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing the X-Pro1 can simulate this technique - just select Multiple Exposure mode and take your first shot. By viewing it in the Hybrid Multi Viewfinder or on the LCD screen, you can see how the finished multiple exposure will look and precisely frame the second shot.
Further enhancements have been made to the Film Simulation modes with the new Professional Colour Negative Film Modes (Pro Neg. Std and Pro Neg. Hi) designed for X-Pro1 users working in the studio. If you'd like to shoot the same scene in a variety of Film Simulation modes, the X-Pro1 offers Film Simulation bracketing, along with AE, Dynamic and ISO bracketing.
FUJIFILM has also included Film Simulation modes, where the X-Pro1 simulates the colours and tonal qualities of popular FUJIFILM emulsions. These include the vibrant colours of Velvia, the softer skin tones of ASTIA and the natural look of PROVIA.
Replicating the effects of monochrome film photography the X-Pro1 lets you use colour filters to expand your photographic interpretation. Heighten contrast with the yellow filter and red filter or brighten greens and deepen reds with the green filter. Just as professional film photographers once selected a filter and printing paper to complement their creative vision, you can easily fine tune image quality with these filters. For those after a more nostalgic theme there's a sepia filter too.
| Sensor Type | X-Trans CMOS |
| Effective pixels | 16.3 |
| Total pixels | |
| Aspect Ratio | 23.6 mm x 15.6 mm (APS-C) |
| Low-pass filter | |
| Sensor Cleaning | Ultra Sonic Vibration |
| Colour filter type | Primary Colour Filter |
| Processor Type | EXR Processor Pro |
| Lens Mount | X-Mount |
| Focal length | 1.5x |
| Focusing Type | TTL contrast AF |
| AF points | Area (EVF / LCD: 49 areas with 7 x 7, OVF: 25 areas with 5 x 5) / Multi |
| AF point selection | |
| AF modes | Single AF / Continuous AF |
| Selected AF point display | |
| Predictive AF | |
| AF lock | |
| AF assist beam | |
| Manual focus | Yes |
| Exposure Metering Range | |
| AE lock | |
| Exposure compensation | -2.0 EV - +2.0 EV, inclement with 1/3 EV step |
| AEB | ±1/3 EV, ±2/3 EV, ±1 EV |
| ISO speed equiv | Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) AUTO mode : AUTO (400) / AUTO (800) / AUTO (1600) / AUTO (3200) Extended output sensitivity equivalent ISO 100, 12800 and 25600 |
| Shutter Type | Focal Plane Shutter |
| Shutter Speed | (P mode) 1/4 sec. to 1/4000 sec., (All other modes) 30 sec. to 1/4000 sec. Bulb (max. 60 min.) Time 2 to 30 sec. Synchronized Shutter speed for flash : 1/180 sec or slower (P mode or A mode) 1/160 sec or sowler (S mode or M mode) |
| Shutter Release | |
| White Balance Type | |
| White Balance Settings | Automatic scene recognition Custom, colour temperature selection (K) Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, underwater |
| Custom White balance | Yes |
| White Balance Bracketing | |
| Viewfinder | Hybrid Multi Viewfinder Optical viewfinder Reverse Galilean viewfinder with electronic bright frame display Magnifications : 0.37x / 0.6x Coverage of frame area v.s. capturing area : approx. 90% Electronic viewfinder 0.47-in., approx.1,440,000-dots colour LCD viewfinder Coverage of viewing area v.s capturing area : approx. 100% |
| Coverage | See above |
| Magnification | See above |
| Eyepoint | Approx 14mm |
| Dioptre connection | |
| Focusing Screen | |
| Mirror | n/a |
| Viewfinder Information | |
| Depth of field preview | Yes |
| Eyepiece Shutter | |
| LCD Monitor | 3.0-inch RGBW (White) LCD monitor, approx. 1,230,000 dots |
| Coverage | Approx 100% |
| Brightness Adjustment | |
| Flash Modes | Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro. Rear-curtain Synchro, Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro. Red-eye Reduction & Rear-curtain Synchro |
| Hotshoe | Yes (dedicated TTL Flash compatible) |
| Sync socket | |
| Flash Exposure compensation | |
| Flash Exposure bracketing | |
| Flash Exposure lock | |
| Second Curtain sync | Yes |
| External Flash | Shoe Mount Flash EF-20, EF-42, EF-X20 |
| Shooting modes | |
| Continuous Shooting | Max 6 / 3 fps selectable |
| Live View Capability | |
| Still image type | JPG, RAW |
| Simultaneous recording | Yes |
| Image Size | L : (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 M : (3:2) 3456 x 2304 / (16:9) 3456 x 1944 / (1:1) 2304 x 2304 S : (3:2) 2496 x 1664 / (16:9) 2496 x 1408 / (1:1) 1664 x 1664 Motion Panorama L Vertical: 7680 x 2160 Horizontal: 7680 x 1440 M Vertical: 5120 x 2160 Horizontal: 5120 x 1440 |
| Movie Type | H.264 (MOV) with Stereo sound |
| Movie Size | 1920x1080 pixels, 1280 x 720 pixels (24frames / sec.) |
| Folders | |
| File numbering | |
| Print direct printers | |
| PictBridge | Yes |
| Custom Functions | |
| LCD Panel Illumination | |
| Water/dust resistance | |
| Intell. orientation sensor | |
| Histogram | Yes |
| Playback zoom | Yes |
| Image protection | |
| Image erase | |
| Self Timer | Approx. 10sec. / 2sec. |
| Menu categories | |
| Menu languages | |
| Firmware update | |
| Computer connection | USB 2.0 High-Speed |
| Other connections | HDMI mini connector |
| Storage type | SD memory card / SDHC memory card / SDXC(UHS-I) memory card |
| PC | |
| MAC | |
| Browsing printing software | Viewer software, RAW File Converter etc |
| Other software | |
| Batteries | Li-ion Battery NP-W126 |
| Battery life | Approx 300 frames |
| Battery indicator | |
| Power saving | |
| AC power supply | |
| Lenses | Fuji X-Mount |
| Battery grip | |
| Flash | Shoe Mount Flash EF-20, EF-42, EF-X20 |
| Remote Control | |
| Body materials | Top and base die-cast aluminium alloy |
| Operating environment | 0? - 40? 10 - 80% (no condensation) |
| Dimensions | 139.5 x 81.8 x 42.5mm |
| Weight (body only) | Approx. 450g (including battery ) and memory card) Approx. 400g (excluding accessories, battery and memory card) |
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Fujifilm 18mm XF F2 R Fujinon Lens
Enjoy high-resolution image reproduction throughout the entire image with this easy-to-use standard wide angle lens. -
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Fujifilm 35mm XF F1.4 R Fujinon Lens
The 35mm (135 equivalent: 53mm) lens has a standard focal length with the angle of view similar to that of the human eye. With the bright maximum aperture, the lens is ideal for snapshots. -
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Fujifilm 60mm XF F2.4 R Macro Fujinon Lens
The lens is designed to achieve high resolution from the center to the borders of the screen even when moving the front lens group to shoot a close-up subject in macro photography. -
Fujifilm EF-X20 Flashgun for X-Pro1
Designed to match the X-Pro1's distinctive styling. -
Fujifilm HG-XPro1 Hand Grip for X-Pro1
Giving you more secure and balanced handling of the camera, the X-Pro1 accessory grip smoothly moulds to the lines of the camera body for a uniform look.
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