More than just a camera, the C300 PL camera marks the beginning of a whole new system for the motion picture industry.
Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 PL camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for moviemaking in the 21st century.

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 PL provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's PL-mount cinema lenses as well as accessories from third parties the stunningly simple to operate EOS C300 PL is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.
The EOS C300 PL offers compatibility with virtually every cinema lens in production today, while its compact and modular design and compatibility with third-party accessories enable it to meet virtually any production need while keeping costs down. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognised standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 PL is ready to go to work.
Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived.

Designed and built by Canon for the highest HD RGB processing, the DIGIC DV III Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations originated in the single CMOS sensor of the camera into three channels (Red, Blue and Green) to maintain the rich resolution and clean colour fidelity formerly possible only in three-chip sensor designs.
To create digital files robust enough for major post-production, the EOS C300 PL delivers the highest image quality with its XF Codec - the same codec used by other Canon XF-series professional camcorders. With 4:2:2 colour sampling, image files have double the vertical resolution of colour components created with 4:2:0 colour sampling, minimising jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens. Thanks to the Canon XF Codec and the EOS C300 PL's superior resolution, original colour quality and cinematic look will hold up through post-production - with results that meet or exceed the filmmakers expectations.
Designed to integrate into existing production setups, the EOS C300 PL is fully compatible with a wide variety of industry-standard PL-mount lenses, ensuring the finest in today's technology and operability will work seamlessly with trusted optics already in the filmmakers possession. Compatibility with Canon's existing PL mount lenses means filmmakers can take advantage of the brilliant new optical designs Canon has developed for the Cinema market.
For versatility and reliability, the EOS C300 PL's recording and terminal specifications are completely compatible with the prevailing industry standards. It records to CF cards through dual slots. From a cost and reliability standpoint, CF cards have no equal. Solid state, and easy to find, 2 hours of 4:2:2 50Mbps footage can be recorded on two reusable and hot swappable 32 GB CF cards with ease. It's even possible to record to two CF cards simultaneously and relay-record for uninterrupted shots and copy from one card to another.
the Cinema market.
With the realities of production in mind, the EOS C300 PL can record in a number of different modes, resolutions and frame rates, delivering quality recordings perfect for any application. 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And the camera can shoot in both PAL and NTSC modes at 50 Mbps (CBR), 35 Mbps (VBR) and 25 Mbps (CBR) with a range of settings for resolution, colour, frame rate and recording time. Whether shooting with the expectation of significant editing and post-production, recording for compatibility with HDV editing, or simply creating the longest possible HD image files, the EOS C300 PL will perform flawlessly.
To connect to external monitors, switchers, VTRs and NLE systems with SDI inputs, the EOS C300 PL features industry-standard HD-SDI Output, Genlock, and Timecode terminals plus audio terminals with Linear PCM recording. Timecode and Genlock enable synchronised multiple camera capture, perfect for multiple camera shots, 3D acquisition and more. The HD-SDI Sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.
| Resolution | High Definition |
| Screen Size | 4-inch diagonal, 1.23 megapixel colour 16:9 rotatable LCD 100% field of view |
| Optical Zoom | - |
| Digital Zoom | - |
| Memory Type | CF Card (Type 1 Only): 2 slots (Movie files); UDMA supported SD Card: 1 slot: Still images, Custom Picture Data, Clip Metadata and menu settings |
| Battery Type | Rechargeable Battery Pack |
| Battery Name | BP-955 |
| Movie Frames | 50Mbps (CBR) 4:2:2 422P@HL 1920x1080: 59.94i/29.97p/23.98p; 50i/25p; True 24 (24.00) 1280x720: 59.94i/29.97p/23.98p; 50p/25p; True 24 (24.00) 35Mbps (VBR) 4:2:0 MP@HL 1920x1080: 59.94i/29.97p/23.98p; 50i/25p 1280x720: 59.94p/29.97p/23.98p; 50p/25p 25Mbps (CBR) 4:2:0 MP@H14 1440x1080: 59.94i/29.97p/23.98p; 50p/25p |
| Movie Sound | Linear PCM; 2-Channel; 16-Bit; 48kHz |
| Pictorial Modes | - |
| Video Recording Time (max.) | 64GB Compact Flash (CF) card Greater capacity is possible when both are used. 25Mbps: 310 minutes 35Mbps: 225 minutes 50Mbps: 160 minutes |
| Width | 174mm with grip |
| Height | 179mm with grip |
| Depth | 177mm with grip |
| External Connections |
Video Terminal, XLR 3-pin jack (2), Switchable between MIC/LINE, HDMI (Type A), 3.5mm stereo mini-jack, WFT Terminal, HD/SD-SDI Terminal BNC (output only), Genlock Terminal BNC (input only) |
| Weight | 2900g with Grip, Monitor, Handle, BP-955, 2@CF |
| Colour | Black |
| Box Contents | EOS C300 PL Body (with Grip/Camera cover R-F-3) Monitor unit Handle unit Battery Pack BP-955 (also available as optional accessory) Battery Charger CG-940 (also available as optional accessory) Compact Power Adapter CA-940 (also available as optional accessory) Eye Cup Viewfinder Cap Thumb rest Tripod base TB-1 WFT Attachment Measuring Hook AC Cable x2 DC Cable (for CA-940) Shoulder Strap SS-1200 XF Utilities Disc Ver. 3.0 |
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